Friday, 15 February 2019

The Working Kitchen

Firstly, thank you to all that posted for your encouraging comments regarding the next stage of this project.   They really help keep the momentum going.

As this house isn't in any way straight forward I had to decide how the overall layout would be when looking at the whole property face on.    It got too complicated trying to work out how to link the rooms as they would flow in an ordinary space so I decided to go with that shown in the cross-section drawing by Ben Rea*    Each room is shown as a separate space.



*By kind permission of Ben Rea

Once that was sorted out I could then get started on what I will be referring to as the "Working Kitchen" (as opposed to the Crumbly one).

Work started with the main piece in the room - the fireplace and range.    I've used foamboard for the structure clad in self-adhesive flooring and a Phoenix kit range.    The brickwork was some left over piece from that used in The Courtyard.


Unfortunately, where this property is situated in my hobby room, it doesn't get very good natural daylight so on some occasions I'm afraid I will have to use the flash - as in the next photo.


My original thought regarding flooring was to use the fibreglass flagstone paper over the whole space until I looked again at the pictures I have and noticed that the central area is actually wood.   I was quite glad that I had spotted that early on before bashing on and going with my initial plan!   There will be more of the self-adhesive flooring being turned into wall panelling but first I must create two windows.      (It was the siting of these windows that gave rise to the decision to copy Ben's drawings and not exactly link the rooms although you will see that I have swapped the kitchens around).

To the left of the range there will be a bread oven and to the right, a sink and delft tile walls.


The dresser below is sadly not as impressive as the one displayed in the real building but we have to go with the space we've got!   There is still a lot of filling up to be done with this one.


The table below is a McQueenie Miniatures kit, two chairs were barewood and varnished and the other two are painted Phoenix metal kits.   My original intention was to have them positioned at the range (as in the picture I am following) but sadly they were too small but fit perfectly at the table.


What I have to do now is work out how to create a free standing bread oven.    I have the door - I just need to work out the rest especially as it has a dome shaped top!

Sunday, 23 December 2018

Season's Greetings.

No progress has been made on this property since my last post.    That's the trouble with having three properties and accompanying blogs.

I can however give you a sneak peek of the next room to be tackled, namely the Working Kitchen.*


* Courtesy of Dennis Sever House with thanks.

I already have a few of the components to hand and hope to get cracking on this sometime during the holidays.

In the meantime, I'd like to wish all my followers a very Merry Christmas and a Happy New year.


       

Sunday, 19 August 2018

The Sedan Chair

While pondering the question of stairs or no stairs in The Silk Weaver's House, I decided to work on a little something that has been lurking in the stash for a number of years.

I bought this Sedan Chair at Miniatura a long time ago.   I don't know why - it didn't relate to anything I was working on at the time but I liked it and now that I have a property of the correct period, I thought I'd dress it up a bit.


*In 1634 the Sedan Chair was introduced into London as a cheaper alternative to the Hackney Cab, popular too because of its ability to pass through the narrow streets.

They were carried by individuals known as "Chairmen" and it was helpful if you weren't prone to motion sickness as they swayed and bounced when travelling at speed.



They were popular with the gentry as travelling in this fashion enabled them to keep their shoes clean.

They were also very popular in Edinburgh's Old Town again where carriages weren't able to travel due to the narrow streets ("closes").



They were legally permitted to travel on the pavement with the Chairmen shouting "Have a care" or "By your leave" although this didn't always work out well and occasionally chairs tipped over.

Chairmen were licensed and Sedan Chair stations were set up allowing travellers to hire a chair.    They were available all day but from midnight the fare was doubled.   After dark they would be accompanied by "link boys" or torch bearers.



The very wealthy would keep their own Chair, decorated to reflect the d├ęcor of their homes and kept in the hallway.

As cities grew bigger, travel by Chair became impossible and by the mid 19th century it had virtually disappeared from the streets.



*Taken from an article The Sedan Chair by Ellen Castelow, Historic UK.

Saturday, 11 August 2018

The House Exterior

As a reminder, the kit I used for this build is The Kensington from Barbara's Mouldings.   It was the closest I could find that matched the RL property.    It had to be altered a bit on the front a) to look more like the original and b) to fit on my cabinet.    The balcony, porch, steps, railings and front extension were removed and replaced with the Cellar.


Below is the watercolour drawing* shown previously of the exterior of the RL building.


* Courtesy of Ben Rea

The following are photos showing the progress and also the internal wall debate I'm still having with myself.    To give each room equal space, the internal walls cut straight down the central window.   If I put the staircase in, the halfway point is nudged over between the windows but the rooms are of course smaller.    The debate continues!





The last couple of days have been spent creating the lantern above the front door and working out the best way to support it.    The lantern was made from card with acrylic inserts, a birthday candle and a couple of findings to decorate the top.   The support was created from a cut down window frame found in my wood stash.

The main door to the property is also finally fixed.   As said previously I changed my mind about the magnets, went with the original hinges and added two little hooks to ensure it didn't swing open when I wasn't looking.





I have also included Madge.    Madge is resident in the RL property.   She is actually Madge III (Madge being short for Her Majesty) and has recently celebrated her 10th birthday.    She will pop up in various rooms as I go along, no doubt.


I managed to track down a Royalty free image of the actual building to give you all a better idea of what I'm up to*

* Image courtesy of Flickr




Saturday, 4 August 2018

The Crumbly Kitchen

This space is not a difficult space to deal with apart from having to create a lot of the crumbly brick effect.    The (slight) problem is in trying to remember what few items were tucked away in the corners to give it character.   Thankfully my sister did a quick sketch when we visited so hopefully that will tell me what I need.

As for layout, as seen in the picture below (thanks again, Ben Rea* for your amazing drawings), the crumbly kitchen is on the left of the cross section and the working kitchen on the right.    As I've placed the Courtyard outside on the left, I've swapped the kitchens around.



* Copyright Ben Rea

According to the book 18 Folgate Street that we bought relating to the RL property, this space was part of the original building on this land and shows excavations.


This is the original text as written by Dennis Severs.    The house’s ten rooms harbour ten ‘spells’ that engage the visitor’s imagination in moods that dominated the periods between 1724 – 1914.   Your senses are your guide.

Room One:   The Cellar.   You begin in the dark by discovering a crater in which are fragments of St Mary’s Spital, AD 1197, and hence the name “Spitalfields”. *



*Taken from the Dennis Sever website - with thanks for their permission to use.

I have also taken the liberty of swapping elements around to make the best use of space.   By rights, the excavations should be on the left as shown above but I hope I've included everything to give the general feel of the original.

So, this is what's been happening -

Lots of bricks and logs


A window aperture was created and, as there is no real window space on the side wall, I hunted down an outside picture that, I hope, fits the bill.


Then of course I had to have a little play while waiting on the wooden ceiling varnish to dry and to check that my "excavations" were in the correct place.


More work on the Crumbly Kitchen has taken place since these photos were taken as I had to wait for some deliveries.    There are a couple of points to note, namely the siting of the excavations.     For my purposes I had to place the window and all relevant bits to the right of the room which meant swapping round other items on view.    This was because I'd swapped Kitchens around and no-one would come out of a crumbly kitchen onto a Courtyard.    Apart from that, all elements in the room remain the same.    I have also added a couple of lights.    There is no lighting in the Crumbly Kitchen of the real building but it wouldn't do to have done all this work and no one able to see it!

The excavations had to be built up gradually while the glue dried.





The assembled excavations.



I had to guess what would be in the corner opposite the shelved unit as I didn't have any information regarding this space.









If you look closely - to the top right of the window - there is a spider caught in the web.





For fun, and for a comparison with the original photo, I've taken this picture from (hopefully) the same angle as the original and altered it to black and white.



and finally, a reminder of the inspirational photo shown previously of the original kitchen*.


*Copyright Roelof Bakker with many thanks for his permission to use this photograph.





Tuesday, 3 July 2018

The completed Cellar (almost)

Before talking about the Courtyard, I have a wee update on the magnets I mentioned previously as a way of fixing the main door of this property - it's not going to happen!   I lined them up, fixed them in place and closed the door but it just wasn't right.    Although they were smallish magnets the fact that they were visible was annoying and they cut into the placing of the cornice - right where your eye lands so out they came.   I'm going back to the original plan of using the hinges that came with the kit.  

So, onward.

Apart from some additions to the Courtyard, I think I'm pretty much done with the Cellar space.

More bits have been added to each of the three spaces and although it's still not as "crumbly" as I think it should be I'm just going to have to live with that otherwise I'd be fiddling and faffing for ever.  Time to move on.

This is how it all looks now -





The Ale/Fruit & Veg store -



Coal and Log Store -





The fabulous (non-electrified) lanterns, buckets and stool came from Ashwood Designs


and my coal heap was created using real coal smashed down to 12th scale (thank you Elizabeth), built up on a separate base and held in place with liberal amounts of glue.   I did the same with the logs in the Log Store.


The next room on my list is this very old and very crumbly kitchen -


* With many thanks to Roelof Bakker for his permission to use this photograph